Ward Bennett

Ward Bennett’s career began at age 13, when he quit school to work in New York’s Garment District. At 16, he went to Europe and continued working in fashion. Despite studying painting in Florence and Paris, he was mostly self-taught, with skills ranging from jewelry-making to interior design. “I learn from people,” he said, referencing Hattie Carnegie, Hans Hofmann, and Georgia O’Keeffe as influences.

United States(1917–2003)
Ward Bennett portrait

Products by Ward Bennett

[18]
  • Scissor Chair by a Claw Table.
  • Scissor Chair by Ward Bennett for Geiger in Natural Oak with Capri in Show upholstery, front view on a white sweep.
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    Scissor ChairWard Bennett
  • Angled view of a black I Beam side table with no attached surface.
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    I Beam TableWard Bennett
  • An H Frame coffee table with a metal frame and stone upper and lower surfaces.
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    H Frame TableWard Bennett
  • Bumper Chair with standard arms and five star base with casters, front view.
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    Bumper Conference ChairWard Bennett
  • A two-unit H Frame Storage credenza with a dark wood finish and modules for box drawers and enclosed cabinets.
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    H Frame StorageWard Bennett
  • A square Full Round side table with a black wood top and tubular metal frame.
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    Full Round TableWard Bennett
  • Claw Table, Round 30
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    Claw TableWard Bennett
  • A Sled Chair with black leather upholstery and an X-shaped steel base, viewed from the front.
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    Sled ChairWard Bennett
  • Sled Chair with chrome base and black leather seat and back
  • Front view of a Sled Base Storage unit with a dark wood finish, four box drawers, and two file drawers.
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    Sled Base CredenzaWard Bennett
  • Sled Base Mobile Pedestal in walnut with three drawers and chrome pulls on casters viewed from the font.
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    Sled Base PedestalWard Bennett
  • Bumper Lounge Chair with standard arms and four star base.
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    Bumper Lounge ChairWard Bennett
  • An Envelope side chair with black leather upholstery and a tubular steel frame, viewed from the front.
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    Envelope ChairWard Bennett
  • Bumper Side Chair with standard arms and four legged base, front view.
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    Bumper ArmchairWard Bennett
  • Rolled Arm Sofa
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    Rolled Arm SofaWard Bennett
  • Rolled Arm Club Chair
  • A light gray club chair from the Rolled Arm Sofa Group, viewed from the front.
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    Rolled Arm Club ChairWard Bennett
  • U-Series Sofa upholstered in Maharam Mohair Supreme League.
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    U-Series SofaWard Bennett
  • U-Series Lounge Chair upholstered in Tenera Sapphire.
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    U-Series ChairWard Bennett
  • A Landmark side chair with light gray French upholstery, a dark wood frame, and standard-height arms, viewed from the front.
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    Landmark ChairWard Bennett
Detail view of a Bumper Lounge Chair with low arms upholstered with Pace Leather in Toffee.

“I design interiors and furniture and flatware and so forth, but I think the way I live is maybe the most meaningful.”

Ward Bennett
Designer Ward Bennett sitting next to white goat

Bennett’s true passion was the art of living. He eventually settled in New York, where his reputation earned him many high-profile clients. Rolling Stone founder and publisher Jann Wenner, Marella and Gianni Agnelli, and David Rockefeller, to name a few. He began working with Geiger in 1987. The first collaboration—a 20-piece collection—was introduced in 1990. In 1993, Geiger acquired Brickel Associates, for whom Bennett had been the sole designer from the 1960s through the mid-1980s. Recognizing the timeless simplicity and enduring comfort of the more than 150 chair designs, Geiger reintroduced several classics from Bennett’s Brickel era.

Tuxedo Component Sofa upholstered with Bellano textile in Black Green beside an orange I Beam Side Table in a showroom setting, viewed from above at an angle.

Bennett believed in the value of simplicity. From a monograph about Bennett, veteran design editor Pilar Viladas said, “His work fused beauty and utility—he had no use for the former without the latter—in the purest form possible.” He was the first American to use industrial materials for home furnishings. The American Institute of Architects hailed him for “transforming industrial hardware into sublime objects.” Many of his designs are in the permanent collections of MoMA, Cooper Hewitt, and the Smithsonian Design Museum.

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